Opens September 17
DIRECTED BY BILL BENZ
CO-WRITTEN BY ANNIE CLARK (A.K.A. ST. VINCENT) & CARRIE BROWNSTEIN
MUSIC BY ST. VINCENT
OPENS SEPTEMBER 17TH, 2021
IN THEATERS AND EVERYWHERE YOU RENT MOVIES
From real-life friends Annie Clark (a.k.a. GRAMMY award-winning recording and touring artist St. Vincent) and Carrie Brownstein (Portlandia, Sleater-Kinney, the best-selling Hunger Makes Me a Modern Girl) comes the metafictional account of two creative forces banding together to make a documentary about St. Vincent’s music, touring life, and on-stage persona. But they quickly discover unpredictable forces lurking within the subject and filmmaker that threaten to derail the friendship, the project, and the duo’s creative lives. From first-time filmmaker Bill Benz (Portlandia, At Home With Amy Sedaris) comes a densely woven, laugh-out-loud funny and increasingly fractured commentary on reality, identity, and authenticity. A story of two close friends who attempt to wrestle the truth out of a complex subject before the hall of mirrors that is their artistic lives devours them completely.
ABOUT ST. VINCENT
Annie Clark made her recorded debut as St. Vincent in 2007 with Marry Me, quickly becoming regarded as one of the most innovative and fascinating presences in modern music. Each of St. Vincent’s subsequent albums has met with critical acclaim and commercial success eclipsing that of its predecessor. These albums would include Actor (2009), Strange Mercy (2011), and her self-titled fourth album and winner of the 2014 GRAMMY for Best Alternative Album, making her only the second female artist ever to win in that category. In addition to these solo works, St. Vincent joined with David Byrne to record and release the collaborative album Love This Giant in 2012, and performed with Dave Grohl, Krist Novoselic and Pat Smear of Nirvana at the band’s 2014 induction into the Rock and Roll Hall of Fame. In 2017, working with co-producer Jack Antonoff, St. Vincent created a defining statement with MASSEDUCTION. The album broke St. Vincent into the U.S. and UK top 10s while landing atop Best of 2017 lists of The New York Times, The Guardian, AV Club, Billboard, Entertainment Weekly, NME, Q, USA Today, and more—not to mention winning two GRAMMYs (Best Rock Song for its title track, and Best Recording Package). Most recently, St. Vincent channeled the hungover glamor and gritty sepia-toned soundtrack of 1970s downtown NYC into the triumphant Daddy’s Home, released in May 2021 to near universal acclaim. In a glowing five-star review of the album, Mojo Magazine said “It’s masterful stuff: a full conceptual realization, filled with great melodies, deep grooves, colourful characterisations, and some sonic detail that reveals itself over repeated plays.” Outside of recording and performing, St. Vincent has directed the short horror film The Birthday Party, and co-written and starred as a fictionalized version of herself in the upcoming film The Nowhere Inn.